Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 51
... course , will ever take the place of the good old fashion of " liking " a work of art or not liking it : the most improved criti- cism will not abolish that primitive , that ulti- mate test . I mention this to guard myself from the ...
... course , will ever take the place of the good old fashion of " liking " a work of art or not liking it : the most improved criti- cism will not abolish that primitive , that ulti- mate test . I mention this to guard myself from the ...
Стр. 135
... course , is not the same thing as saying that these changes are scientifically determined ) . But no such scientific measure- ment of the resulting changes in the social and spiritual superstructure of life is possible . The changes ...
... course , is not the same thing as saying that these changes are scientifically determined ) . But no such scientific measure- ment of the resulting changes in the social and spiritual superstructure of life is possible . The changes ...
Стр. 176
... course , has been dealing with this reality all along , but in the wrong way . For Freud there are two ways of dealing with external reality . One is practical , effective , positive ; this is the way of the con- scious self , of the ...
... course , has been dealing with this reality all along , but in the wrong way . For Freud there are two ways of dealing with external reality . One is practical , effective , positive ; this is the way of the con- scious self , of the ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing