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Стр. ix
... to the political critics , Ralph Fox and George Orwell , determined that the artist make a proper analysis of society ... which is perhaps not " criticism " at all , to Lionel Trilling's discussion of the general diffusion of an ...
... to the political critics , Ralph Fox and George Orwell , determined that the artist make a proper analysis of society ... which is perhaps not " criticism " at all , to Lionel Trilling's discussion of the general diffusion of an ...
Стр. 266
F EW CRITICS have ever admitted that Hamlet the play is the primary problem , and Hamlet the character only secondary . And Hamlet the character has had an especial temptation for that most dangerous type of critic : the critic with a ...
F EW CRITICS have ever admitted that Hamlet the play is the primary problem , and Hamlet the character only secondary . And Hamlet the character has had an especial temptation for that most dangerous type of critic : the critic with a ...
Стр. 317
But some critics deliberately expand the theoretic phase of every practical problem . There is a tendency to urge the scientific principle and the statistical method , and in doing so to bring in the whole assorted world of thought .
But some critics deliberately expand the theoretic phase of every practical problem . There is a tendency to urge the scientific principle and the statistical method , and in doing so to bring in the whole assorted world of thought .
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing