Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 374
... effect would be more powerful if we could somehow manage to feel the images fully and accurately without having the effect diluted by any words put in to give us a ' meaning ' - that is , if we could expel all the talk about the ...
... effect would be more powerful if we could somehow manage to feel the images fully and accurately without having the effect diluted by any words put in to give us a ' meaning ' - that is , if we could expel all the talk about the ...
Стр. 376
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
Стр. 471
... effect for which I never could account . The effect was that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavored with my understanding to compre- hend this , for ...
... effect for which I never could account . The effect was that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavored with my understanding to compre- hend this , for ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing