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Стр. 12
4 It was worthy of an Amphicrates and not of a Xenophon to call the pupils of our eyes " modest maidens . " Good heavens , how strange it is that 4 III , 5 . the pupils of the whole company should be believed to be modest ...
4 It was worthy of an Amphicrates and not of a Xenophon to call the pupils of our eyes " modest maidens . " Good heavens , how strange it is that 4 III , 5 . the pupils of the whole company should be believed to be modest ...
Стр. 190
Afternoon gilds all the silent wires Into a burning music of the eyes . On mirroring paths between those fine - strung fires The shore , laden with roses , horses , spires , Wanders in water , imaged above ribbed sand .
Afternoon gilds all the silent wires Into a burning music of the eyes . On mirroring paths between those fine - strung fires The shore , laden with roses , horses , spires , Wanders in water , imaged above ribbed sand .
Стр. 471
The reason is that he allows his understanding to overrule his eyes . His understanding , which inThis essay was first published in The London Magazine , October 1823 . 99 % cludes no intuitive knowledge of the laws of vision ...
The reason is that he allows his understanding to overrule his eyes . His understanding , which inThis essay was first published in The London Magazine , October 1823 . 99 % cludes no intuitive knowledge of the laws of vision ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing