Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 63
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
Стр. 157
... interest but they are seen from a dis- tance . For the Jamesian central observer , through whose intelligence the story is usually relayed to us , has undergone a strange diminution . This observer is no longer a complete and interest ...
... interest but they are seen from a dis- tance . For the Jamesian central observer , through whose intelligence the story is usually relayed to us , has undergone a strange diminution . This observer is no longer a complete and interest ...
Стр. 161
... interest in social phenomena for their own sake , seems suddenly to wake up from its reveries . The actual appearances of things become suddenly vivid again . In the novels which preceded " The Ivory Tower , " the carefully selected and ...
... interest in social phenomena for their own sake , seems suddenly to wake up from its reveries . The actual appearances of things become suddenly vivid again . In the novels which preceded " The Ivory Tower , " the carefully selected and ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing