Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 79
... least reconcile the desires of the beholder , not necessarily , as the naiver exponents of Freudian psychology maintain , by gratifying individual and often eccentric wishes , but at least by satisfying the universally human desire to ...
... least reconcile the desires of the beholder , not necessarily , as the naiver exponents of Freudian psychology maintain , by gratifying individual and often eccentric wishes , but at least by satisfying the universally human desire to ...
Стр. 189
... least ten which I do not write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in how- ever rough a ...
... least ten which I do not write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in how- ever rough a ...
Стр. 335
... least two considerable poems ; they were not elegies , but at least they were marriage hymns . In 1596 he published his Prothalamion , upon the occasion of a noble alliance ; the stanzas are exactly uniform , and they compose an admir ...
... least two considerable poems ; they were not elegies , but at least they were marriage hymns . In 1596 he published his Prothalamion , upon the occasion of a noble alliance ; the stanzas are exactly uniform , and they compose an admir ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing