Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 45
... less favor- able to our immortal part than a stage - play , was in reality far less insulting . The only reason for the existence of a novel is that it does at- tempt to represent life . When it relinquishes this attempt , the same ...
... less favor- able to our immortal part than a stage - play , was in reality far less insulting . The only reason for the existence of a novel is that it does at- tempt to represent life . When it relinquishes this attempt , the same ...
Стр. 174
... less and less communicative as it approaches the relative autonomy of the dream life . But perhaps we must stop to ask whether , since these are the components of the Zeitgeist from which Freud himself developed , it can be said that ...
... less and less communicative as it approaches the relative autonomy of the dream life . But perhaps we must stop to ask whether , since these are the components of the Zeitgeist from which Freud himself developed , it can be said that ...
Стр. 286
... less oblique : there is no direct poetry . But the terms " less oblique " and " more oblique " would sound ridiculous ; and the only way to be emphatic or even generally intelligible is by exaggeration to force a hypothetical but ...
... less oblique : there is no direct poetry . But the terms " less oblique " and " more oblique " would sound ridiculous ; and the only way to be emphatic or even generally intelligible is by exaggeration to force a hypothetical but ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing