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Стр. 172
LIONEL TRILLING : Freud and Literature * ALLEN TATE : Hardy's Philosophic Metaphors * ... deserves to stand beside the chaotic mass of psychological insights which literature has accumulated through the centuries .
LIONEL TRILLING : Freud and Literature * ALLEN TATE : Hardy's Philosophic Metaphors * ... deserves to stand beside the chaotic mass of psychological insights which literature has accumulated through the centuries .
Стр. 319
Literature is the hold - all and the persuasive form for the patterns of possibility . In literature we see unique possibilities enacted , actualised , and in the moral and psychological philosophies we see the types of possibility ...
Literature is the hold - all and the persuasive form for the patterns of possibility . In literature we see unique possibilities enacted , actualised , and in the moral and psychological philosophies we see the types of possibility ...
Стр. 474
stance , the finest of Shakespeare's plays in England , and all leading Athenian plays in the noontide of the Attic stage , operated as a literature on the public mind , and were ( according to the strictest letter of that term ) ...
stance , the finest of Shakespeare's plays in England , and all leading Athenian plays in the noontide of the Attic stage , operated as a literature on the public mind , and were ( according to the strictest letter of that term ) ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing