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Стр. 25
Every one of these is distinguished again in the * First published in 1650 . manner of Representation , which sometimes is Narrative , wherein the Poet himself relateth , and sometimes Dramatique , as when the persons are every one ...
Every one of these is distinguished again in the * First published in 1650 . manner of Representation , which sometimes is Narrative , wherein the Poet himself relateth , and sometimes Dramatique , as when the persons are every one ...
Стр. 494
one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the abstract , our answer must be : No , for we should thereby be ...
one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the abstract , our answer must be : No , for we should thereby be ...
Стр. 500
No ; Burns , like Chaucer , comes short of the high seriousness of the great classics , and the virtue of matter and manner which goes with that high seriousness is wanting to his work . At moments he touches it in a profound and ...
No ; Burns , like Chaucer , comes short of the high seriousness of the great classics , and the virtue of matter and manner which goes with that high seriousness is wanting to his work . At moments he touches it in a profound and ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing