Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. viii
... means of which they approach it and come to under- stand it . Critics ask where art comes from , how it becomes what it is , and what it does ; their questions are about the Source , the Form , the End of art . The first question ...
... means of which they approach it and come to under- stand it . Critics ask where art comes from , how it becomes what it is , and what it does ; their questions are about the Source , the Form , the End of art . The first question ...
Стр. 21
... means of the variations of sounds , by their pulsation against one another , and by their min- gling in concert . 3. And yet these are mere sem- blances and spurious copies of persuasion , not ( as I have said ) genuine activities of ...
... means of the variations of sounds , by their pulsation against one another , and by their min- gling in concert . 3. And yet these are mere sem- blances and spurious copies of persuasion , not ( as I have said ) genuine activities of ...
Стр. 348
... means " know " and by derivation " clutch , " and reach would go with either , which gives sense a sort of bridge between its meanings . It is possible that Donne means to throw in a pun on " know , " as in " Adam knew his wife . " Wee ...
... means " know " and by derivation " clutch , " and reach would go with either , which gives sense a sort of bridge between its meanings . It is possible that Donne means to throw in a pun on " know , " as in " Adam knew his wife . " Wee ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing