Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 288
... METHOD OF REPETITION Kenneth Burke has named and described this method without evaluating it . It is the simplest and most primitive method possible , and is still in common use ; if limited to a short lyrical form , it may still be ...
... METHOD OF REPETITION Kenneth Burke has named and described this method without evaluating it . It is the simplest and most primitive method possible , and is still in common use ; if limited to a short lyrical form , it may still be ...
Стр. 356
... method is frequently distin- guished by students of fiction . This is the method which shows the character changing or develop- ing , so that while the initial portrait is valid with reference to the situation presented at the beginning ...
... method is frequently distin- guished by students of fiction . This is the method which shows the character changing or develop- ing , so that while the initial portrait is valid with reference to the situation presented at the beginning ...
Стр. 357
... method of presenting the consciousness of his characters is such that by the time the book closes we know the whole of Stephen , even though the whole of him is not yet , as it were , made actual . We can see the germ of the future in ...
... method of presenting the consciousness of his characters is such that by the time the book closes we know the whole of Stephen , even though the whole of him is not yet , as it were , made actual . We can see the germ of the future in ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing