Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 186
... objects quickly be come school children , before they have been sufficiently particularized to be themselves . The transformation of the natural objects into per- sons is initiated with some degree of tact in terms of simile " Like ...
... objects quickly be come school children , before they have been sufficiently particularized to be themselves . The transformation of the natural objects into per- sons is initiated with some degree of tact in terms of simile " Like ...
Стр. 200
... objects may be imitated . For the medium being the same , and the objects the same , the poet may imitate by narration- in which case he can either take another per- sonality as Homer does , or speak in his own person , unchanged or he ...
... objects may be imitated . For the medium being the same , and the objects the same , the poet may imitate by narration- in which case he can either take another per- sonality as Homer does , or speak in his own person , unchanged or he ...
Стр. 443
... objects , or hinder the true from conveying to the imagination the proper sentiment and perception . One obvious ... objects , but belong entirely to the sentiment , internal or external ; it must be al- lowed , that there are certain ...
... objects , or hinder the true from conveying to the imagination the proper sentiment and perception . One obvious ... objects , but belong entirely to the sentiment , internal or external ; it must be al- lowed , that there are certain ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing