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Стр. 222
Out of these two have been extracted the famous Rules , which the French call Des Trois Unitez , or , The Three Unities , which ought to be observed in every regular play ; namely , of Time , Place , and Action .
Out of these two have been extracted the famous Rules , which the French call Des Trois Unitez , or , The Three Unities , which ought to be observed in every regular play ; namely , of Time , Place , and Action .
Стр. 245
This new way consisted in measure or number of feet , and rhyme ; the sweetness of rhyme , and observation of accent , supplying the place of quantity in words , which could neither exactly be observed by those Barbarians , who knew not ...
This new way consisted in measure or number of feet , and rhyme ; the sweetness of rhyme , and observation of accent , supplying the place of quantity in words , which could neither exactly be observed by those Barbarians , who knew not ...
Стр. 293
I shall list as many forms as I have observed . My list will probably not be complete , but it will be nearly enough complete to illustrate the principle and to provide a basis of further observation . 1. Grammatical coherence in excess ...
I shall list as many forms as I have observed . My list will probably not be complete , but it will be nearly enough complete to illustrate the principle and to provide a basis of further observation . 1. Grammatical coherence in excess ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing