Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 136
... question . Among all the elements which go to make a work of art it is , however , only the economic movement which asserts it- self as finally necessary , for what Marx and Engels considered to be true of historical changes they also ...
... question . Among all the elements which go to make a work of art it is , however , only the economic movement which asserts it- self as finally necessary , for what Marx and Engels considered to be true of historical changes they also ...
Стр. 272
... question is , whom does the drama amuse ? and what is the quality of the amusement ? C : I should not for my part admit that any of these people are concerned to amuse . There is no such thing as mere amusement . They are concerned with ...
... question is , whom does the drama amuse ? and what is the quality of the amusement ? C : I should not for my part admit that any of these people are concerned to amuse . There is no such thing as mere amusement . They are concerned with ...
Стр. 374
... question of the accuracy of Mr. Pottle's description of the impulse of Elliptical Poetry and present the question which ultimately concerns him . How pure does poetry need to be in practice ? That is the question which Mr. Pottle asks ...
... question of the accuracy of Mr. Pottle's description of the impulse of Elliptical Poetry and present the question which ultimately concerns him . How pure does poetry need to be in practice ? That is the question which Mr. Pottle asks ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing