Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 33
... Reader's permission to apprise him of a few circum- stances relating to their style , in order , among other reasons , that he may not censure me for not having performed what I never attempted . The Reader will find that ...
... Reader's permission to apprise him of a few circum- stances relating to their style , in order , among other reasons , that he may not censure me for not having performed what I never attempted . The Reader will find that ...
Стр. 382
... reader of " Prufrock " is swept up in a narrative movement from the very first lines : Let us go then , you and I , When the evening . . . And the reader , accompanying Prufrock , finally arrives at their mutual destination : In the ...
... reader of " Prufrock " is swept up in a narrative movement from the very first lines : Let us go then , you and I , When the evening . . . And the reader , accompanying Prufrock , finally arrives at their mutual destination : In the ...
Стр. 385
... reader in an ordinary novel - must be recon- structed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
... reader in an ordinary novel - must be recon- structed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing