Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 41
... Reader then abide , independently , by his own feelings , and , if he finds himself affected , let him not suffer such conjectures to interfere with his pleasure . If an Author , by any single composition , has impressed us with respect ...
... Reader then abide , independently , by his own feelings , and , if he finds himself affected , let him not suffer such conjectures to interfere with his pleasure . If an Author , by any single composition , has impressed us with respect ...
Стр. 382
... reader of " Prufrock " is swept up in a narrative movement from the very first lines : Let us go then , you and I , When the evening ... And the reader , accompanying Prufrock , finally arrives at their mutual destination : In the room ...
... reader of " Prufrock " is swept up in a narrative movement from the very first lines : Let us go then , you and I , When the evening ... And the reader , accompanying Prufrock , finally arrives at their mutual destination : In the room ...
Стр. 385
... reader in an ordinary novel - must be reconstructed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
... reader in an ordinary novel - must be reconstructed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing