Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 233
... relation of what was done many years before the play . I could multiply other instances , but these are sufficient to prove that there is no error in choosing a subject which requires this sort of narrations ; in the ill man- aging of ...
... relation of what was done many years before the play . I could multiply other instances , but these are sufficient to prove that there is no error in choosing a subject which requires this sort of narrations ; in the ill man- aging of ...
Стр. 274
... relation of drama to religious liturgy . D : I have a suggestion to put forward . It is this : can we not take it that the form of the drama must vary from age to age in accordance with religious assumptions of the age ? That is , that ...
... relation of drama to religious liturgy . D : I have a suggestion to put forward . It is this : can we not take it that the form of the drama must vary from age to age in accordance with religious assumptions of the age ? That is , that ...
Стр. 457
... relation both between each other and towards that which they represent , and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts . Hence the language ...
... relation both between each other and towards that which they represent , and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts . Hence the language ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing