Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 94
... scene which remains a high scene in American humor , full of comedy indeed , full of pathos and hurt - the scene of the Coreys ' dinner - party . But Howells evaded the full scope of the indicated differences , packing Lapham off to ...
... scene which remains a high scene in American humor , full of comedy indeed , full of pathos and hurt - the scene of the Coreys ' dinner - party . But Howells evaded the full scope of the indicated differences , packing Lapham off to ...
Стр. 237
... scenes , they are forced many times to omit some beauties which cannot be shown where the act began ; but might , if the scene were interrupted , and the stage cleared for the persons to enter in another place ; and there- fore the ...
... scenes , they are forced many times to omit some beauties which cannot be shown where the act began ; but might , if the scene were interrupted , and the stage cleared for the persons to enter in another place ; and there- fore the ...
Стр. 384
... scene illustrates , on a small scale , what we mean by the spatialization of form in a novel . For the duration of the scene , at least , the time- flow of the narrative is halted ; attention is fixed on the interplay of relationships ...
... scene illustrates , on a small scale , what we mean by the spatialization of form in a novel . For the duration of the scene , at least , the time- flow of the narrative is halted ; attention is fixed on the interplay of relationships ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing