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Стр. 125
Speak to us , we are your suppliants here . TIR . None of you understands . But I — I never will tell my misery . Or yours . OED . What are you saying ? You know , but tell us nothing ? You intend treachery to us , and death to the City ...
Speak to us , we are your suppliants here . TIR . None of you understands . But I — I never will tell my misery . Or yours . OED . What are you saying ? You know , but tell us nothing ? You intend treachery to us , and death to the City ...
Стр. 175
This passage is quoted by Mann when , in taking up the subject of Freud a second time , he does indeed speak of Freud's positivistic program ; but even here the bias induced by Mann's artistic interest in the " night side " prevents him ...
This passage is quoted by Mann when , in taking up the subject of Freud a second time , he does indeed speak of Freud's positivistic program ; but even here the bias induced by Mann's artistic interest in the " night side " prevents him ...
Стр. 238
I could produce , even in Shakspeare's and Fletcher's works , some plays which are almost exactly formed ; as The Merry Wives of Windsor , and The Scornful Lady : but because ( generally speaking ) Shakspeare , who writ first , did not ...
I could produce , even in Shakspeare's and Fletcher's works , some plays which are almost exactly formed ; as The Merry Wives of Windsor , and The Scornful Lady : but because ( generally speaking ) Shakspeare , who writ first , did not ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing