Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 52
... story " which I shall not attempt to criticize , though they seem to me to contain a singular ambiguity , because I do not think I understand them . I cannot see what is meant by talking as if there were a part of a novel which is the story ...
... story " which I shall not attempt to criticize , though they seem to me to contain a singular ambiguity , because I do not think I understand them . I cannot see what is meant by talking as if there were a part of a novel which is the story ...
Стр. 279
... story : the chopped - off length of the tapeworm of time . Now we arrive at a much higher aspect : the plot , and ... story as a narrative of events arranged in their time- sequence . A plot is also a narrative of events , the emphasis ...
... story : the chopped - off length of the tapeworm of time . Now we arrive at a much higher aspect : the plot , and ... story as a narrative of events arranged in their time- sequence . A plot is also a narrative of events , the emphasis ...
Стр. 355
... story which claims to unite in mutual progress the event and the character's reaction to the event , so that the mental picture is always dependent on the physical situation , can exploit the points in consciousness where the past ...
... story which claims to unite in mutual progress the event and the character's reaction to the event , so that the mental picture is always dependent on the physical situation , can exploit the points in consciousness where the past ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing