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Стр. 33
Having dwelt thus long on the subjects and aim of these Poems , I shall request the Reader's permission to apprise him of a few circumstances relating to their style , in order , among other reasons , that he may not censure me for not ...
Having dwelt thus long on the subjects and aim of these Poems , I shall request the Reader's permission to apprise him of a few circumstances relating to their style , in order , among other reasons , that he may not censure me for not ...
Стр. 339
The sonnet is primarily a metrical form , but behind it there is an ideal and rather formidable speaker , far from actual , who must get what he has to say into a very small space and , according to the rules , into a very concise style ...
The sonnet is primarily a metrical form , but behind it there is an ideal and rather formidable speaker , far from actual , who must get what he has to say into a very small space and , according to the rules , into a very concise style ...
Стр. 494
one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the abstract , our answer must be : No , for we should thereby be ...
one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the abstract , our answer must be : No , for we should thereby be ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing