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And the same of all things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be - an imitation of things as they are , or as they appearof appearance or of ...
And the same of all things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be - an imitation of things as they are , or as they appearof appearance or of ...
Стр. 193
Thus the greatest poets are those with memories so great that they extend beyond their strongest experiences to their minutest observations of people and things far outside their own self - centredness ( the weakness of memory is its ...
Thus the greatest poets are those with memories so great that they extend beyond their strongest experiences to their minutest observations of people and things far outside their own self - centredness ( the weakness of memory is its ...
Стр. 263
It is essential to prove that beauty may be in small , dry things . The great aim is accurate , precise and definite description . The first thing is to recognise how extraordinarily difficult this is .
It is essential to prove that beauty may be in small , dry things . The great aim is accurate , precise and definite description . The first thing is to recognise how extraordinarily difficult this is .
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing