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Стр. 22
tion . 4. In the passage which describes Dirce torn away by the bull : Whitherso'er he turned Swift wheeling round , he haled and hurled withal Dame , rock , oak , intershifted ceaselessly , the conception itself is a fine one , but it ...
tion . 4. In the passage which describes Dirce torn away by the bull : Whitherso'er he turned Swift wheeling round , he haled and hurled withal Dame , rock , oak , intershifted ceaselessly , the conception itself is a fine one , but it ...
Стр. 40
tion of the Reader . All that it is necessary to say , however , upon this subject , may be effected by affirming , what few persons will deny , that , of two descriptions , either of passions , manners , or characters , each of them ...
tion of the Reader . All that it is necessary to say , however , upon this subject , may be effected by affirming , what few persons will deny , that , of two descriptions , either of passions , manners , or characters , each of them ...
Стр. 240
to imagine him made ridiculous by the imita tion of his actions , but rather by making him perform something very unlike himself ; something so childish and absurd , as by comparing it with the gravity of the true Socrates , makes a ...
to imagine him made ridiculous by the imita tion of his actions , but rather by making him perform something very unlike himself ; something so childish and absurd , as by comparing it with the gravity of the true Socrates , makes a ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing