Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 137
... turn light up the social background . The novelist cannot write his story of the individual fate unless he also has this steady vision . of the whole . He must understand how his final result arises from the individual conflicts of his ...
... turn light up the social background . The novelist cannot write his story of the individual fate unless he also has this steady vision . of the whole . He must understand how his final result arises from the individual conflicts of his ...
Стр. 150
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
Стр. 153
... Turn of the Screw " between the housekeeper and the governess are only comparatively mild examples ) in which the characters are able to carry on long conversations with each consistently mistaking the other's meaning and neither ever ...
... Turn of the Screw " between the housekeeper and the governess are only comparatively mild examples ) in which the characters are able to carry on long conversations with each consistently mistaking the other's meaning and neither ever ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing