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Стр. 394
Why this should be so is a question which even though one avoid the metaphysical problem of " essence " -one must consider in discussing the structure of the " concrete universal . " 2 Whether or not one believes in universals , one may ...
Why this should be so is a question which even though one avoid the metaphysical problem of " essence " -one must consider in discussing the structure of the " concrete universal . " 2 Whether or not one believes in universals , one may ...
Стр. 395
The concrete facts in a special way embody and draw attention to an aspect of themselves ( a value ) , the universal . A more elaborate form of the doctrine and a determined attempt to clarify the paradox involved in it , is to be found ...
The concrete facts in a special way embody and draw attention to an aspect of themselves ( a value ) , the universal . A more elaborate form of the doctrine and a determined attempt to clarify the paradox involved in it , is to be found ...
Стр. 397
For then the picture would present the same universal as Reynolds ' portrait of Mrs. Siddons as " The Tragic Muse , " and all differences between " The Age of Innocence " and " The Tragic Muse " would be aesthetically irrelevant .
For then the picture would present the same universal as Reynolds ' portrait of Mrs. Siddons as " The Tragic Muse , " and all differences between " The Age of Innocence " and " The Tragic Muse " would be aesthetically irrelevant .
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
Часто встречающиеся слова и выражения
action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing