Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 93
... writing , but not the compul- sion of a deep and natural , simple emotion . He gains power by integrity , by a close intensity of view , often by intensity of the mind . His por- trayals gain every possible concentration from the high ...
... writing , but not the compul- sion of a deep and natural , simple emotion . He gains power by integrity , by a close intensity of view , often by intensity of the mind . His por- trayals gain every possible concentration from the high ...
Стр. 111
... writing the poem . If I had sought for rhymes I should inevitably have been compelled to distort my narrative and my imagery , and to that extent to be false to my inspiration . And such , indeed , has always been my practice in writing ...
... writing the poem . If I had sought for rhymes I should inevitably have been compelled to distort my narrative and my imagery , and to that extent to be false to my inspiration . And such , indeed , has always been my practice in writing ...
Стр. 166
... writing is not yet universal , and outcrops of simplicity will occur here and there in the worst - written page . Still , if you or I were told to write a few lines on the uncertainty of human fortunes , we should prob- ably come much ...
... writing is not yet universal , and outcrops of simplicity will occur here and there in the worst - written page . Still , if you or I were told to write a few lines on the uncertainty of human fortunes , we should prob- ably come much ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing