The Body in Pain: The Making and Unmaking of the WorldOxford University Press, 1985 - 385 pages Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate. |
From inside the book
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... express the thoughts of Hamlet and the tragedy of Lear has no words for the shiver or the headache . .. The merest schoolgirl when she falls in love has Shakespeare or Keats to speak her mind for her , but let a sufferer try to describe ...
... express , with varying degrees of intensity , a rhythmic on - off sensation , and thus it is also clear that one coherent dimension of the felt - experience of pain is this " temporal dimension . " Similarly , when " burning " is placed ...
... express what Melzack and Torgerson have designated as " constrictive pressure . " Out of these categories larger categories are formed ; for the " temporal , " " ther- mal , " and " constrictive " groups are among those that together ...
... express , does have referential content , is susceptible to ver- bal objectification , and is so habitually depicted in art that , as Thomas Mann's Settembrini reminds us , there is virtually no piece of literature that is not about ...
... express than some second event , not simply somewhat less visible than some second event , but so nearly impossible to express , so flatly invisible , that the problem goes beyond the possibility that almost any other phenomenon ...
Contents
The Structure of Torture The Conversion of Real Pain into Fiction of Power | 27 |
The Structure of War The Juxtaposition of Injured Bodies and Unanchored Issues | 60 |
Pain and Imagining | 161 |
The Structure of Belief and Its Modulation into Material Making Body and Voice in the JudeoChristian Scriptures and the Writings of Marx | 181 |
The Interior Structure of the Artifact | 278 |
Notes | 327 |
Index | 371 |