The Body in Pain: The Making and Unmaking of the WorldOxford University Press, 1985 - 385 pages Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate. |
From inside the book
Results 1-5 of 72
... question will become more apparent once we move to our second subject . The Political Consequences of Pain's Inexpressibility Though the overt subject of the preceding discussion was the difficulty of ex- pressing physical pain , at ...
... question that is being asked here , " How is it that one person can be in the presence of another person in pain and not know it ?, " leads inevitably to a second question that will be dealt with extensively in this book , " How is it ...
... questions that attend it , will be clear . The one exception is the phrase " language of agency " which arises at such an early moment in the book that a preliminary description and illustration may be helpful here . Because the ...
... question , " What differentiates injuring from any other activity on which a contest can be based in order to arrive at a winner and a loser ? " This is a critically important question since if injuring has only the solitary function of ...
... question begins to arise in Part One which might be formulated in the following way : given that the deconstruction of creation is present in the structure of one event which is widely recognized as close to being an absolute of ...
Contents
The Structure of Torture The Conversion of Real Pain into Fiction of Power | 27 |
The Structure of War The Juxtaposition of Injured Bodies and Unanchored Issues | 60 |
Pain and Imagining | 161 |
The Structure of Belief and Its Modulation into Material Making Body and Voice in the JudeoChristian Scriptures and the Writings of Marx | 181 |
The Interior Structure of the Artifact | 278 |
Notes | 327 |
Index | 371 |