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admirable appears artist beauty called character collection colour considered copy death drawings Duke early effect English engraved excellent exhibited expression face father feeling figure finished Fuseli Gainsborough Gallery gave genius give going guineas hand head Hogarth Italy John kind lady Lawrence letter light lived London look Lord manner master mind Miss morning nature never observed once opened original painted painter pencil person picture plate portrait possession present purchased received remained remarkable replied returned Reynolds Reynolds's Royal Academy says scene seems seen sent Sir Joshua Sir Joshua Reynolds Sir Thomas Sir Thomas Lawrence sitting sketch sold soon style taken thought told took Turner whole wish young
Page 116 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless and grand; His manners were gentle, complying and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Page 134 - Sir Joshua Reynolds was, on very many accounts, one of the most memorable men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country.
Page 73 - Farewell, great painter of mankind ! Who reach'd the noblest point of art, Whose pictured morals charm the mind, And through the eye correct the heart. If Genius fire thee, reader, stay, If nature touch thee, drop a tear, If neither move thee — turn away — For Hogarth's honour'd dust lies here.
Page 69 - The Bruiser C. Churchill, (once the Rev.) in the character of a Russian Hercules, regaling himself after having killed the monster Caricatura that so sorely galled his virtuous friend the heaven-born Wilkes.
Page 109 - TO SIR JOSHUA REYNOLDS, IN LEICESTER-FIELDS. " DEAR SIR, — When I came to Lichfield, I found that my portrait" had been much visited, and much admired. Every man has a lurking wish to appear considerable in his native place ; and I was pleased with the dignity conferred by such a testimony of your regard.
Page 153 - ... fancy, and a dignity derived from the higher branches, which even those who professed them in a superior manner did not always preserve, when they delineated individual nature. His portraits remind the spectator of the invention of history, and the amenity of landscape. In painting portraits, he appeared not to be raised upon that platform, but to descend to it from a higher sphere.
Page 170 - If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English school, the name of Gainsborough will be transmitted to posterity, in the history of the art, among the very first of that rising name.
Page 158 - He went down a few steps, and returned again. ' What use is your book to me if I don't understand it 1 and your lute, you may take it again if you won't teach me to play on it. Come home with me, and give me the first lesson.' 'I will come to-morrow.
Page 82 - He who should call the Ingenious Hogarth a Burlesque Painter, would, in my Opinion, do him very little Honour: for sure it is much easier, much less the Subject of Admiration, to paint a Man with a Nose, or any other Feature of a preposterous Size, or to expose him in some absurd or monstrous Attitude, than to express the Affections of 253 Men on Canvas.