Anecdote BiographyR. Bentley, 1860 - 387 pages |
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Page 4
... effect , although the portraits of both antagonists were exact likenesses , and the surrounding figures were caricatured with equal fidelity . On a later occasion he strolled , with Hayman the painter , into a cellar , where two women ...
... effect , although the portraits of both antagonists were exact likenesses , and the surrounding figures were caricatured with equal fidelity . On a later occasion he strolled , with Hayman the painter , into a cellar , where two women ...
Page 9
... effect upon the fortunes of young Hogarth in more phases than one . He says : " The paintings in St. Paul's and Greenwich Hospital , which were at that time going on , ran in my head , and I determined that silver - plate engraving ...
... effect upon the fortunes of young Hogarth in more phases than one . He says : " The paintings in St. Paul's and Greenwich Hospital , which were at that time going on , ran in my head , and I determined that silver - plate engraving ...
Page 16
... effects in 1822 , it was bought in by the family . Among Hogarth's early but penurious patrons was Mr. Bowles , at the Black Horse , in Cornhill ; and Nichols had been told that he bought many a plate from Hogarth by the weight of the ...
... effects in 1822 , it was bought in by the family . Among Hogarth's early but penurious patrons was Mr. Bowles , at the Black Horse , in Cornhill ; and Nichols had been told that he bought many a plate from Hogarth by the weight of the ...
Page 25
... effect was by engraving , admi- nistered many a severe reproof to the actors in those scenes of profligacy with which the London life of the period abounded . Hitherto , painters had invested their moralities with the grace of classic ...
... effect was by engraving , admi- nistered many a severe reproof to the actors in those scenes of profligacy with which the London life of the period abounded . Hitherto , painters had invested their moralities with the grace of classic ...
Page 41
... effect , that in colouring they stand in a far higher rank than numerous productions of the most modern English School , with all glaring , inharmonious colours . Only the fifth picture , the Death of the Husband WILLIAM HOGARTH . 41.
... effect , that in colouring they stand in a far higher rank than numerous productions of the most modern English School , with all glaring , inharmonious colours . Only the fifth picture , the Death of the Husband WILLIAM HOGARTH . 41.
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Common terms and phrases
admirable afterwards Allan Cunningham appears artist beauty caricature celebrated character Churchill collection colour copy Covent Garden Cunningham death drawing Duke Earl early engraved exclaimed executed exhibited father figure finished Fuseli Fuseli's Gainsborough Gallery Garden Garrick genius guineas hand Harlot's Progress Haydon head Hogarth painted Hogarth's House honour Hudibras Hudson humour John Johnson lady landscape Lawrence's Leicester Fields Leslie lived London look Lord manner Martin's-lane master Michael Angelo morning nature never Nichols North Briton Northcote original painter palette pencil person picture plate Plympton poet portrait portrait-painter possession present President purchased Rake's Progress received remarkable replied Reynolds's Royal Academy satire says scene Schomberg House sent Sigismunda Sir Joshua Reynolds Sir Thomas Lawrence sitters sitting sketch sold style taste Thornhill tion Titian told took Turner Walpole Wilkes William Hogarth young
Popular passages
Page 116 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless and grand; His manners were gentle, complying and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Page 316 - All amidst the gardens fair Of Hesperus, and his daughters three That sing about the golden tree. Along the crisped shades and bowers Revels the spruce and jocund Spring; The Graces and the rosy-bosomed Hours Thither all their bounties bring.
Page 136 - Sir Joshua Reynolds was, on very many accounts, one of the most memorable men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country.
Page 73 - Farewell, great painter of mankind ! Who reach'd the noblest point of art, Whose pictured morals charm the mind, And through the eye correct the heart. If Genius fire thee, reader, stay, If nature touch thee, drop a tear, If neither move thee — turn away — For Hogarth's honour'd dust lies here.
Page 69 - The Bruiser C. Churchill, (once the Rev.) in the character of a Russian Hercules, regaling himself after having killed the monster Caricatura that so sorely galled his virtuous friend the heaven-born Wilkes.
Page 109 - TO SIR JOSHUA REYNOLDS, IN LEICESTER-FIELDS. " DEAR SIR, — When I came to Lichfield, I found that my portrait" had been much visited, and much admired. Every man has a lurking wish to appear considerable in his native place ; and I was pleased with the dignity conferred by such a testimony of your regard.
Page 155 - ... fancy, and a dignity derived from the higher branches, which even those who professed them in a superior manner did not always preserve, when they delineated individual nature. His portraits remind the spectator of the invention of history, and the amenity of landscape. In painting portraits, he appeared not to be raised upon that platform, but to descend to it from a higher sphere.
Page 172 - If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English school, the name of Gainsborough will be transmitted to posterity, in the history of the art, among the very first of that rising name.
Page 160 - He went down a few steps, and returned again. ' What use is your book to me if I don't understand it 1 and your lute, you may take it again if you won't teach me to play on it. Come home with me, and give me the first lesson.' 'I will come to-morrow.
Page 82 - He who should call the Ingenious Hogarth a Burlesque Painter, would, in my Opinion, do him very little Honour: for sure it is much easier, much less the Subject of Admiration, to paint a Man with a Nose, or any other Feature of a preposterous Size, or to expose him in some absurd or monstrous Attitude, than to express the Affections of 253 Men on Canvas.