Anecdote BiographyR. Bentley, 1860 - 387 pages |
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Page xvi
... FATHER · 370 " " 370 · 370 REYNOLDS'S STUDIES IN ITALY 371 SIR JOSHUA ' S HOUSE IN LEICESTER - SQUARE 375 THE PLYMPTON CORPORATION AND REYNOLDS'S PORTRAIT 375 REYNOLDS AND ERSKINE . - JAMES BOSWELL 376 REYNOLDS'S PORTRAIT OF MRS ...
... FATHER · 370 " " 370 · 370 REYNOLDS'S STUDIES IN ITALY 371 SIR JOSHUA ' S HOUSE IN LEICESTER - SQUARE 375 THE PLYMPTON CORPORATION AND REYNOLDS'S PORTRAIT 375 REYNOLDS AND ERSKINE . - JAMES BOSWELL 376 REYNOLDS'S PORTRAIT OF MRS ...
Page 1
... father wrote his name Hogarth ; and Allan Cunningham considers the concluding th , in London pronunciation , to have been hardened into t , as common in northern names with similar terminations . Thus , in conver- sation , he was called ...
... father wrote his name Hogarth ; and Allan Cunningham considers the concluding th , in London pronunciation , to have been hardened into t , as common in northern names with similar terminations . Thus , in conver- sation , he was called ...
Page 2
John Timbs. The painter's father was Richard Hogarth , the youngest of three brothers , the eldest of whom succeeded his father on a small freehold , in the Vale of Bampton . Richard was educated at Archbishop Grindal's Free School of St ...
John Timbs. The painter's father was Richard Hogarth , the youngest of three brothers , the eldest of whom succeeded his father on a small freehold , in the Vale of Bampton . Richard was educated at Archbishop Grindal's Free School of St ...
Page 3
... father's pen , like that of many other authors , did not enable him to do more than put me in a way of shifting for myself . As I had naturally a good eye , and a fondness for drawing , shows of all sorts gave me uncommon pleasure when ...
... father's pen , like that of many other authors , did not enable him to do more than put me in a way of shifting for myself . As I had naturally a good eye , and a fondness for drawing , shows of all sorts gave me uncommon pleasure when ...
Page 4
... father once asked Barry , the painter , if he had ever seen Hogarth . " Yes , once , ” he replied . " I was walking with Joe Nollekens through Cranbourne - alley , when he exclaimed , * Biographical Anecdotes of William Hogarth . Second ...
... father once asked Barry , the painter , if he had ever seen Hogarth . " Yes , once , ” he replied . " I was walking with Joe Nollekens through Cranbourne - alley , when he exclaimed , * Biographical Anecdotes of William Hogarth . Second ...
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Common terms and phrases
admirable afterwards Allan Cunningham appears artist beauty caricature celebrated character Churchill collection colour copy Covent Garden Cunningham death drawing Duke Earl early engraved exclaimed executed exhibited father figure finished Fuseli Fuseli's Gainsborough Gallery Garden Garrick genius guineas hand Harlot's Progress Haydon head Hogarth painted Hogarth's House honour Hudibras Hudson humour John Johnson lady landscape Lawrence's Leicester Fields Leslie lived London look Lord manner Martin's-lane master Michael Angelo morning nature never Nichols North Briton Northcote original painter palette pencil person picture plate Plympton poet portrait portrait-painter possession present President purchased Rake's Progress received remarkable replied Reynolds's Royal Academy satire says scene Schomberg House sent Sigismunda Sir Joshua Reynolds Sir Thomas Lawrence sitters sitting sketch sold style taste Thornhill tion Titian told took Turner Walpole Wilkes William Hogarth young
Popular passages
Page 116 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless and grand; His manners were gentle, complying and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Page 316 - All amidst the gardens fair Of Hesperus, and his daughters three That sing about the golden tree. Along the crisped shades and bowers Revels the spruce and jocund Spring; The Graces and the rosy-bosomed Hours Thither all their bounties bring.
Page 136 - Sir Joshua Reynolds was, on very many accounts, one of the most memorable men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country.
Page 73 - Farewell, great painter of mankind ! Who reach'd the noblest point of art, Whose pictured morals charm the mind, And through the eye correct the heart. If Genius fire thee, reader, stay, If nature touch thee, drop a tear, If neither move thee — turn away — For Hogarth's honour'd dust lies here.
Page 69 - The Bruiser C. Churchill, (once the Rev.) in the character of a Russian Hercules, regaling himself after having killed the monster Caricatura that so sorely galled his virtuous friend the heaven-born Wilkes.
Page 109 - TO SIR JOSHUA REYNOLDS, IN LEICESTER-FIELDS. " DEAR SIR, — When I came to Lichfield, I found that my portrait" had been much visited, and much admired. Every man has a lurking wish to appear considerable in his native place ; and I was pleased with the dignity conferred by such a testimony of your regard.
Page 155 - ... fancy, and a dignity derived from the higher branches, which even those who professed them in a superior manner did not always preserve, when they delineated individual nature. His portraits remind the spectator of the invention of history, and the amenity of landscape. In painting portraits, he appeared not to be raised upon that platform, but to descend to it from a higher sphere.
Page 172 - If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English school, the name of Gainsborough will be transmitted to posterity, in the history of the art, among the very first of that rising name.
Page 160 - He went down a few steps, and returned again. ' What use is your book to me if I don't understand it 1 and your lute, you may take it again if you won't teach me to play on it. Come home with me, and give me the first lesson.' 'I will come to-morrow.
Page 82 - He who should call the Ingenious Hogarth a Burlesque Painter, would, in my Opinion, do him very little Honour: for sure it is much easier, much less the Subject of Admiration, to paint a Man with a Nose, or any other Feature of a preposterous Size, or to expose him in some absurd or monstrous Attitude, than to express the Affections of 253 Men on Canvas.