Anecdote BiographyR. Bentley, 1860 - 387 pages |
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Page viii
... PAINTED BY HIMSELF CARICATURES ON HOGARTH HOGARTH AND BISHOP HOADLEY COPYRIGHT IN PRINTS HOGARTH'S PALETTE 66 HOGARTH'S ORATORIO 99 THE MISER AND SIR ISAAC SHEARD WALL - PAINTINGS IN FENCHURCH STREET 66 HOGARTH PAINTS GOLDSMITH'S ...
... PAINTED BY HIMSELF CARICATURES ON HOGARTH HOGARTH AND BISHOP HOADLEY COPYRIGHT IN PRINTS HOGARTH'S PALETTE 66 HOGARTH'S ORATORIO 99 THE MISER AND SIR ISAAC SHEARD WALL - PAINTINGS IN FENCHURCH STREET 66 HOGARTH PAINTS GOLDSMITH'S ...
Page 13
... painted by Hogarth ; but Sir Thomas Lawrence pronounced them to be by Vandergucht . Failing to establish the authenticity of these paintings , however , Mr. Britton , in his Autobiography , Part 2 , describes them as in drawing ...
... painted by Hogarth ; but Sir Thomas Lawrence pronounced them to be by Vandergucht . Failing to establish the authenticity of these paintings , however , Mr. Britton , in his Autobiography , Part 2 , describes them as in drawing ...
Page 16
... painted together . " I well re- member , " says Smith , " that it was placed over the street- door , which bore the name of Hogarth on a brass plate . ” The house , with its sign , is shown in a good contemporary engrav- ing of the ...
... painted together . " I well re- member , " says Smith , " that it was placed over the street- door , which bore the name of Hogarth on a brass plate . ” The house , with its sign , is shown in a good contemporary engrav- ing of the ...
Page 22
... painted her while she was in prison , and the portrait is in the Mulgrave collection . DEATH OF SIR JAMES THORNHILL . In 1734 , Hogarth lost his father - in - law , Sir James Thorn- hill , whom he designated in the obituary of the ...
... painted her while she was in prison , and the portrait is in the Mulgrave collection . DEATH OF SIR JAMES THORNHILL . In 1734 , Hogarth lost his father - in - law , Sir James Thorn- hill , whom he designated in the obituary of the ...
Page 28
... painted on them in China , about the year 1793 . THE RAKE'S PROGRESS . This admirable series of eight scenes , painted in 1735 , each complete in itself , and all telling a domestic story , fol- lowed the Harlot's Progress . Walpole ...
... painted on them in China , about the year 1793 . THE RAKE'S PROGRESS . This admirable series of eight scenes , painted in 1735 , each complete in itself , and all telling a domestic story , fol- lowed the Harlot's Progress . Walpole ...
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Common terms and phrases
admirable afterwards Allan Cunningham appears artist beauty caricature celebrated character Churchill collection colour copy Covent Garden Cunningham death drawing Duke Earl early engraved exclaimed executed exhibited father figure finished Fuseli Fuseli's Gainsborough Gallery Garden Garrick genius guineas hand Harlot's Progress Haydon head Hogarth painted Hogarth's House honour Hudibras Hudson humour John Johnson lady landscape Lawrence's Leicester Fields Leslie lived London look Lord manner Martin's-lane master Michael Angelo morning nature never Nichols North Briton Northcote original painter palette pencil person picture plate Plympton poet portrait portrait-painter possession present President purchased Rake's Progress received remarkable replied Reynolds's Royal Academy satire says scene Schomberg House sent Sigismunda Sir Joshua Reynolds Sir Thomas Lawrence sitters sitting sketch sold style taste Thornhill tion Titian told took Turner Walpole Wilkes William Hogarth young
Popular passages
Page 116 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless and grand; His manners were gentle, complying and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Page 316 - All amidst the gardens fair Of Hesperus, and his daughters three That sing about the golden tree. Along the crisped shades and bowers Revels the spruce and jocund Spring; The Graces and the rosy-bosomed Hours Thither all their bounties bring.
Page 136 - Sir Joshua Reynolds was, on very many accounts, one of the most memorable men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country.
Page 73 - Farewell, great painter of mankind ! Who reach'd the noblest point of art, Whose pictured morals charm the mind, And through the eye correct the heart. If Genius fire thee, reader, stay, If nature touch thee, drop a tear, If neither move thee — turn away — For Hogarth's honour'd dust lies here.
Page 69 - The Bruiser C. Churchill, (once the Rev.) in the character of a Russian Hercules, regaling himself after having killed the monster Caricatura that so sorely galled his virtuous friend the heaven-born Wilkes.
Page 109 - TO SIR JOSHUA REYNOLDS, IN LEICESTER-FIELDS. " DEAR SIR, — When I came to Lichfield, I found that my portrait" had been much visited, and much admired. Every man has a lurking wish to appear considerable in his native place ; and I was pleased with the dignity conferred by such a testimony of your regard.
Page 155 - ... fancy, and a dignity derived from the higher branches, which even those who professed them in a superior manner did not always preserve, when they delineated individual nature. His portraits remind the spectator of the invention of history, and the amenity of landscape. In painting portraits, he appeared not to be raised upon that platform, but to descend to it from a higher sphere.
Page 172 - If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English school, the name of Gainsborough will be transmitted to posterity, in the history of the art, among the very first of that rising name.
Page 160 - He went down a few steps, and returned again. ' What use is your book to me if I don't understand it 1 and your lute, you may take it again if you won't teach me to play on it. Come home with me, and give me the first lesson.' 'I will come to-morrow.
Page 82 - He who should call the Ingenious Hogarth a Burlesque Painter, would, in my Opinion, do him very little Honour: for sure it is much easier, much less the Subject of Admiration, to paint a Man with a Nose, or any other Feature of a preposterous Size, or to expose him in some absurd or monstrous Attitude, than to express the Affections of 253 Men on Canvas.