The Quarterly Review, Volumes 262-263John Murray, 1934 |
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Page 47
... play is in every way like that of the organ ' ( VI , 20 ) . And as with the instrument so with the playing of it : when the former has been regarded as having a sacred character its manipulation has usually been confined to members of a ...
... play is in every way like that of the organ ' ( VI , 20 ) . And as with the instrument so with the playing of it : when the former has been regarded as having a sacred character its manipulation has usually been confined to members of a ...
Page 50
... play the piano in public was hissed off the platform , not for playing badly , but for playing at all , was probably due to exactly the same feeling ! The Western Solomon Islands afford the only formal taboo against men that I can find ...
... play the piano in public was hissed off the platform , not for playing badly , but for playing at all , was probably due to exactly the same feeling ! The Western Solomon Islands afford the only formal taboo against men that I can find ...
Page 253
... play to be played by really thrilling , splendid players . In " Macbeth " the part of the messenger is the part I would like to play if I were a man . ' The next supper on Jan. 24 , 1925 , was to be the last of the long series at which ...
... play to be played by really thrilling , splendid players . In " Macbeth " the part of the messenger is the part I would like to play if I were a man . ' The next supper on Jan. 24 , 1925 , was to be the last of the long series at which ...
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Bibliographic information
| Title | The Quarterly Review, Volumes 262-263 |
| Contributors | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, John Murray, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero |
| Publisher | John Murray, 1934 |
| Original from | University of Georgia Libraries |
| Digitized | 10 Jun 2022 |
| Export Citation | BiBTeX EndNote RefMan |