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HARVARD COLLEGE LIBRARY THE GIFT OF

FRIENDS OF THE LIBRARY

Ark 29 1926

LIFE

OF

HENRY FIELDING, ESQ.

BY SIR WALTER SCOTT.

Of all the works of imagination to which English genius has given origin, the novels of the celebrated Henry Fielding are, perhaps, most decidedly and exclusively her own. They are not only altogether beyond the reach of translation, in the proper sense and spirit of the word, but we even question whether they can be fully understood, or relished to the highest extent, by such natives of Scotland and Ireland as are not habitually acquainted with the character and manners of Old England. Parson Adams, Towwouse, Partridge, above all 'Squire Western, are personages as peculiar to England as they are unknown to other countries. Nay, the actors whose character is of a more general cast, as Allworthy, Mrs. Miller, Tom Jones himself, and almost all the subordinate agents in the narrative, have the same cast of nationality, which adds not a little to the verisimilitude of the tale. The persons of the story live in England, travel in England, quarrel and fight in England; and scarce an incident occurs without its being marked by something which could not well have happened in any other country. This nationality may be ascribed to the author's own habits of life, which rendered him conversant, at different periods, with all the various classes of English society, specimens of which he has selected, with inimitable spirit of choice and description, for the amusement of his readers. Like many other men of talent, Fielding was unfortunate: his life was a life of imprudence and uncertainty. But it was, while passing from the high

society to which he was born, to that of the lowest and most miscellaneous kind, that he acquired the extended familiarity with the English character, in every rank and aspect, which has made his name immortal as a painter of national manners.

Henry Fielding, born April 22, 1707, was of noble descent, the third son of General Edmund Fielding, himself the third son of the Honourable John Fielding, who was the fifth son of William, Earl of Denbigh, who died in 1655. Our author was nearly connected with the ducal family of Kingston, which boasted a brighter ornament than rank or titles could bestow, in the wit and beauty of the celebrated Lady Mary Wortley Montague. The mother of Henry Fielding was a daughter of Judge Gold, the first wife of his father the general. Henry was the only son of this marriage; but he had four sisters of the full blood, of whom Sarah, the third, was distinguished as an authoress by the History of David Simple, and other literary attempts. General Fielding married a second time, after the death of his first lady, and had a numerous family, one of whom is well remembered as a judge of police, by the title of Sir John Fielding. It is most probable that the expense attending so large a family, together with a natural thoughtlessness of disposition on the part of his father, occasioned Henry's being early thrown into those precarious circumstances, with which, excepting at brief intervals, he continued to struggle through life.

After receiving the rudiments of education from the Rev. Mr. Oliver, who is supposed to have furnished him with the outline of Parson Trulliber's character, Fielding was removed to Eton, where he was imbued deeply with that love of classic literature which may be traced through all his works. As his father destined him to the bar, he was sent from Eton to study at Leyden, where he is said to have given earnest attention to the civil law. Had he remained in this regular course of study, the courts would probably have gained a lawyer, and the world would have lost a man of genius; but the circumstances of General Fielding determined the chance in favour of posterity, though, perhaps, against his son. Remittances failed, and the

young student was compelled to return, at the age of twenty, to plunge into the dissipation of London, without a monitor to warn him, or a friend to support him. General Fielding, indeed, promised his son an allowance of two hundred pounds a year; but this, as Fielding himself used to say, "any one might pay who would." It is only necessary to add, that Fielding was tall, handsome, and well-proportioned, had an expressive countenance, and possessed, with an uncommonly strong constitution, a keen relish of pleasure, with the power of enjoying the present moment, and trusting to chance for the future; and the reader has before him sufficient grounds to estimate the extent of his improvidence and distress. Lady Mary Wortley Montague, his kinswoman and early acquaintance, has traced his temperament and its consequences in a few lines; and no one who can use her words would willingly employ his

own.

"I am sorry for Henry Fielding's death," says her ladyship, in one of her letters, upon receiving information of that event," not only as I shall read no more of his writings, but because I believe he lost more than others, as no man enjoyed life more than he did, though few had less occasion to do so, the highest of his preferment being raking in the lowest sinks of vice and misery. I should think it a nobler and less nauseous employment to be one of the staff-officers that conduct the nocturnal weddings. His happy constitution (even when he had, with great pains, half demolished it), made him forget every evil, when he was before a venison-pasty, or over a flask of champagne; and, I am persuaded, he has known more happy moments than any prince upon earth. His natural spirits gave him rapture with his cook-maid, and cheerfulness when he was starving in a garret. There was a great similitude between his character and that of Sir Richard Steele. He had the advantage, both in learning, and, in my opinion, genius; they both agreed in wanting money, in spite of all their friends, and would have wanted it, if their hereditary lands had been as extensive as their imagination; yet each of them was so formed for happiness, it is pity he was not immortal."

A

Some resources were necessary for a man of pleasure, and Fielding found them in his pen, having, as he used to say himself, no alternative but to be a hackney writer or a hackney coachman. He at first employed himself in writing for the theatre, then in high reputation, having recently engaged the talents of Wycherley, of Congreve, Vanburgh, and Farquhar. Fielding's comedies and farces were brought on the stage in hasty succession; and play after play, to the number of eighteen, sunk or swam on the theatrical sea betwixt the years 1727 and 1736. None of these are now known or read, excepting the mock-tragedy of Tom Thumb, the translated play of the Miser, and the farces of The Mock Doctor and Intriguing Chambermaid, and yet they are the production of an author universal for his conception and illustration of character in the kindred walk of imaginary narrative.

Fielding, the first of British novelists, for such he may surely be termed, has thus added his name to that of Le Sage and others, who, eminent for fictitious narration, have either altogether failed in their dramatic attempts, or, at least, have fallen far short of that degree of excellence which might have been previously augured of them. It is hard to fix upon any plausible reason for a failure, which has occurred in too many instances to be the operation of mere chance, especially since, à priori, one would think the same talents necessary for both walks of literature. Force of character, strength of expression, felicity of contrast and situation, a well-constructed plot, in which the development is at once natural and unexpected, and where the interest is kept uniformly alive, till summed up by the catastrophe, all these are requisites as essential to the labour of the novelist as to that of the dramatist, and, indeed, appear to comprehend the sum of the qualities necessary to success in both departments. Fielding's biographers have, in this particular instance, explained his lack of theatrical success as arising entirely from the careless haste with which he huddled up his dramatic compositions; it being no uncommon thing with him to finish an act or two in a morning, and to write out whole scenes upon the paper in which his favourite tobacco had been

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