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Стр. 87
Now what , I beseech you , is more easy than 1430 to write a regular French play , or more difficult than to write an irregular English one , like those of Fletcher , or of Shakespeare ? ' If they content themselves , as Corneille did ...
Now what , I beseech you , is more easy than 1430 to write a regular French play , or more difficult than to write an irregular English one , like those of Fletcher , or of Shakespeare ? ' If they content themselves , as Corneille did ...
Стр. 149
The fable of As You Like It , which is supposed to be copied from Chaucer's Gamelyn , was a little pamphlet of those times ; and old Mr. Cibber remembered 725 the tale of Hamlet in plain English prose , which the critics have now to ...
The fable of As You Like It , which is supposed to be copied from Chaucer's Gamelyn , was a little pamphlet of those times ; and old Mr. Cibber remembered 725 the tale of Hamlet in plain English prose , which the critics have now to ...
Стр. 397
Rev. by Colin Hardie ( London , 1956 ) Longinus and English Criticism , T. R. Henn ( Cambridge , 1934 ) Loci Critici , selected and arranged by George Saintsbury ( Boston , 1903 ) Critical Approaches to Literature , D. Daiches ( London ...
Rev. by Colin Hardie ( London , 1956 ) Longinus and English Criticism , T. R. Henn ( Cambridge , 1934 ) Loci Critici , selected and arranged by George Saintsbury ( Boston , 1903 ) Critical Approaches to Literature , D. Daiches ( London ...
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Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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Другие издания - Просмотреть все
English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration ancient appear beauty become begin better called cause character comedy common composition criticism delight effect emotion English equal excellent express eyes fact feelings follow French genius give hand hath human imagination imitation judge judgement Keats kind knowledge language learning leaves less living look manner matter mean metre mind moral move nature never object observed once opinion particular passions perfection perhaps persons philosopher Plautus play pleasure plot poem poesy poet poetic poetry praise present produced prose reader reason relation represented rhyme rules scenes sense Shakespeare sometimes soul sound speak spirit stage tell things thought tion tragedy true truth verse virtue whole write written