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Стр. 58
... that the time of the feigned action , or fable of the play , should be proportioned 310 as near as can be to the duration of that time in which it is represented : since therefore , all plays are acted on the theatre in the space of ...
... that the time of the feigned action , or fable of the play , should be proportioned 310 as near as can be to the duration of that time in which it is represented : since therefore , all plays are acted on the theatre in the space of ...
Стр. 76
1000 are subject in England , by representing duels , battles , and the like ; which renders our stage too like the theatres where they fight prizes . For what is more ridiculous than to represent an army with a drum and five men behind ...
1000 are subject in England , by representing duels , battles , and the like ; which renders our stage too like the theatres where they fight prizes . For what is more ridiculous than to represent an army with a drum and five men behind ...
Стр. 145
The lines relate to some action , and an action must be in some place ; but the different actions that complete a story may be in places very remote from each other ; and 560 where is the absurdity of allowing that space to represent ...
The lines relate to some action , and an action must be in some place ; but the different actions that complete a story may be in places very remote from each other ; and 560 where is the absurdity of allowing that space to represent ...
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Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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Другие издания - Просмотреть все
English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration ancient appear beauty become begin better called cause character comedy common composition criticism delight effect emotion English equal excellent express eyes fact feelings follow French genius give hand hath human imagination imitation judge judgement Keats kind knowledge language learning leaves less living look manner matter mean metre mind moral move nature never object observed once opinion particular passions perfection perhaps persons philosopher Plautus play pleasure plot poem poesy poet poetic poetry praise present produced prose reader reason relation represented rhyme rules scenes sense Shakespeare sometimes soul sound speak spirit stage tell things thought tion tragedy true truth verse virtue whole write written