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PART I.

ELOCUTION.

LOCUTION is the mode of utterance or delivery of any thing spoken. It may be good or bad.

2. GOOD ELOCUTION, in reading or speaking, is uttering ideäs understandingly, correctly, and effectively. It cmbraces the two general divisions, ORTHOËPY and EXPRESSION.

Readers may be divided into three classes, the mechanical, or those who merely pronounce words, with but slight reference to their connections and signification; the intelligent, or those who understand the meaning of the separate words, their relative importance in sentences, and historical and other references; and the effective, or those who bring out clearly the emotional part, as well as the exact and full meaning of the author.

To secure effective reading—the only reading that can satisfy a laudable ambition-it will be necessary for the student, first, to acquire such a practical knowledge of the oral elements of the language as shall insure the precise pronunciation of the separate words, with as little apparent effort of the mind as is ordinarily employed in the act of walking; secondly, to learn the definitions of unusual or peculiarly significant words in the lesson-the explanations of classical, historical, and other allusions—and the analysis of all sentences that embrace parenthetical or other incidental matter; and thirdly, to acquire such a command of the perceptive faculties, of the emotional nature, and of the elements of expression, as shall enable him to see clearly whatever is represented or described, to enter fully into the feelings of the writer, and to cause the hearers to see, feel, and understand.

I.

DEFINITIONS.

ATION is the distinct utterance of the oral s in syllables and words.

LEMENTS are the sounds that, uttered sepaombination, form syllables and words.

LEMENTS ARE PRODUCED by different positions of speech, in connection with the voice and

NCIPAL ORGANS OF SPEECH are the lips, the gue, and the palate.

PRODUCED by the action of the breath upon

LEMENTS ARE DIVIDED into three classes: , fifteen SUBTONICS, and ten ATONICS.

re pure tones produced by the voice, with but the organs of speech.

es are tones produced by the voice, modified of speech.

are mere breathings, modified by the organs

s are characters that are used to represent oral elements.

PHABET IS DIVIDED into vowels and consonants.

■e larynx is the up- consisting of five gristly pieces -achea or windpipe, which form the organ of voice.

12. VOWELS are the letters that usually represent the tonic elements. They are a, e, i, o, u, and sometimes y.1

13. A DIPHTHONG is the union of two vowels in one syllable; as, ou in our.

14. A DIGRAPH, or Improper Diphthong, is the union of two vowels in a syllable, one of which is silent; as oa in loaf, ou in court.

15. A TRIPHTHONG is the union of three vowels in one syllable; as eau in beau, ieu in adieu.

16. CONSONANTS2 are the letters that usually represent either subtonic or atonic elements. They are of two kinds, single letters and combined, including all the letters of the alphabet, except the vowels, and the combinations ch, sh, wh, ng; th subtonic, and th atonic.

17. LABIALS are letters whose oral elements are chiefly formed by the lips. They are b, p, w, and wh. M may be regarded as a nasal labial, as its sound is affected by the nose. Fand v are labia-dentals.

18. DENTALS are letters whose oral elements are chiefly formed by the teeth. They are j, s, z, ch, and sh.

19. LINGUALS are letters whose oral elements are chiefly formed by the tongue. They are d, l, r, and t. N is a nasal-lingual; y, a lingua-palatal, and th, a lingua-dental.

20. PALATALS are letters whose oral elements are chiefly formed by the palate. They are g and k. NG is a nasalpalatal.

21. COGNATES are letters whose oral elements are produced by the same organs, in a similar manner; thus, ƒ is a cognate of v; k of g, &c.

22. ALPHABETIC EQUIVALENTS are letters, or combinations of letters, that represent the same elements, or sounds; thus, i is an equivalent of e, in pique.

1 W not a Vowel.-As w, standing alone, does not represent a pure or unmodified tone in the English language, it is not here classified with the vowels.

2 Consonant.-The term consonant, literally meaning, sounding with, is applied to these letters and

combinations because they are rarely used in words without having a vowel connected with them in the same syllable, although their oral elements may be uttered separately, and without the aid of a vowel. Indeed, they frequently form syllables by them. selves, as in feeble (bl), taken (kn).

IN

II.

ORAL ELEMENTS.

N sounding the tonics, the organs should be fully opened, and the stream of sound from the throat should be thrown, as much as possible, directly upward against the roof of the mouth. These elements should open with an abrupt and explosive force, and then diminish gradually and equably to the end.

In producing the subtonic and atonic elements, it is important to press the organs upon each other with great firmness and tension; to throw the breath upon them with force; and to prolong the sound sufficiently to give it a full impression on the ear.

The instructor will first require the students to pronounce a catch-word once, and then produce the oral element represented by the figured vowel, or Italic consonant, four times-thus; àge,—à, à, à, à; ãte,—ā, ā, ā, ā: åt,—å, å, å, å; ǎsh,-ă, ǎ, à, à, &c. He will exercise the class until each student can utter consecutively all the elementary sounds as arranged in the following

ă, ă,

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same, sense.

1O modified.-The modified oral element of o, in this work, is represented by (8 or Ŏ) the same marks as its regular second power. This modified or medium element may be produced by uttering the sound of o in not, slightly softened, with twice its usual volume, or prolongation. It is usually given when short o is immediately followed by ff, ft, es, st, or th, as in off, soft, cross, cost, broth; also in a number of words where short o is directly followed by n, or final ng, as in gone, begone; long, along, prong, song, strong, thong, throng, wrong. SMART says, To give the extreme short sound of o to such words is affectation; to give them the full sound of broad a (a in all), is vulgar.

U initial-preceded by R.-U, at the beginning of words, when

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