EPITHALAMION. YE learned Sifters, which have oftentimes rymes, That even the greatest did not greatly scorne To heare theyr names fung in your fimple layes, But ioyed in theyr praise; 6 And when ye lift your own mishaps to mourne, Which death, or love, or fortunes wreck did rayfe, Your ftring could foone to fadder tenor turne, And teach the woods and waters to lament Your dolefull dreriment: 10 Now lay those forrow full complaints afide; And, having all your heads with girlands crownd, Helpe me mine owne Loves prayfes to refound; * Epithalamion.] The fong of love and jollity, as he calls it, F. Q. i. xii. 38. Our poets were profufe in compliments of this kind, on the marriages of their friends. See particularly Heyrick's Poems, edit. 1648, p. 57. And Randolph's Poems, edit. 1640, p. 34. Puttenham, in his Arte of English Poefie, is minute in his defcription of the ceremonies attending the performance of the Epithalamien, &c. 1586. TODD. Ne let the fame of any be envide: 15 The woods fhall to me anfwer, and my eccho ring. EARLY, before the worlds light-giving lampe Bid her awake; for Hymen is awake, 25 And long fince ready forth his maske to move, With his bright tead that flames with many a flake, And many a bachelor to waite on him, In theyr fresh garments trim. 31 Bid her awake therefore, and foone her dight, 35 That all the woods may anfwer, and your eccho ring. you all the Nymphes that you BRING with can heare Both of the Rivers and the Forrests greene, And of the Sea that neighbours to her neare; All with gay girlands goodly wel befeene. And let them also with them bring in hand Another gay girland, 40 For my fayre Love, of Lillyes and of Roses, Bound truelove wize, with a blew filke riband. And let them make great store of bridale poses, And let them eke bring ftore of other flowers, 46 To deck the bridale bowers. And let the ground whereas her foot shall tread, For feare the ftones her tender foot should wrong, Be ftrewd with fragrant flowers all along, 50 The whiles do ye this Song unto her fing, The woods fhall to you answer, and your eccho ring. 55 YE Nymphes of Mulla, which with carefull heed The filver fealy trouts do tend full well, Ver. 51. And diapred &c.] Diversified, a word borrowed from Chaucer. See the Rom. R. 934, edit. Urr. "And it was painted well and thwitten, "And ore all diapred and written." TODD. And greedy pikes which use therein to feed; Bynd up 66 And eke, ye lightfoot mayds, which keepe the dore, That on the hoary mountayne use to towre; And the wylde wolves, which feeke them to devoure, With your steele darts doe chace from coming neer; Be also present heere, 70 To helpe to decke her, and to help to fing, That all the woods may anfwer, and your eccho ring. WAKE now, my Love, awake; for it is time; Ver. 60. the rushy lake,] Hence Milton's "rushy-fringed bank," Com. ver. 890, where fee my note. T. WARTON. Hark! how the cheerefull birds do chaunt theyr laies, And carroll of Loves praise. 80 The merry Ah! my deere Love, why doe ye fleepe thus long, When meeter were that ye fhould now awake, T'awayt the comming of your ioyous Make, And hearken to the birds love-learned fong, The deawy leaves among ! 85 For they of ioy and pleafance to you fing, 90 That all the woods them anfwer, and theyr eccho ring. Ver. 81. the Mavis] In our old Diction aries and Gloffaries the mavis is ufually interpreted the thruftle or thrush. As the mavis is fometimes mentioned, in our ancient poetry, together with the thrush; I fuppofe the mavis means the cock-thrush, or fong-thrufh, the cock being moft diftinguished for its tones. See Chaucer, Romaunt of the Rofe, defcribing the "fwete fong" of various birds, ver. 665. "And thruftils, terins, and mavise, "That fongin &c." TODD. Ver. 82. the Ruddock] Red-breaft, as in Shakspeare's Cymbeline, to which Mr. Warton refers, where fee the notes of the commentators. See alfo Glofs. Urry's Chaucer, "Ruddock, robin-red-breast." TODD. Ver. 83. - confent,] We should rather read concent, i. e. harmony. Spenfer ufes concent and concented in the Faer. Qu. See Mr. Warton's note on in Milton's Ode at a folemn musick, ver. 6. "6 pure concent," TUDD. |