 | Arthur Symons - 1906 - 420 pages
...their highest power of self-expression.' Wagner now passes, in the third part, to a consideration of' The Arts of Poetry and Tone in the Drama of the Future.' He begins by pointing out in minute detail, through the THE IDEAS OF WAGNER 261 physiology of speech... | |
 | Arthur Symons - 1906 - 456 pages
...their highest power of self-expression.' Wagner now passes, in the third part, to a consideration of ' The Arts of Poetry and Tone in the Drama of the Future.' He begins by pointing out in minute detail, through the physiology of speech (the actual making of... | |
 | Arthur Symons - 1907 - 418 pages
...their highest power of self- expression.' Wagner now passes, in the third part, to a consideration of' The Arts of Poetry and Tone in the Drama of the Future.' He begins by pointing out in minute detail, through the physiology of speech (the actual making of... | |
 | Arthur Symons - 1907 - 410 pages
...their highest power of self- expression.' Wagner now passes, in the third part, to a consideration of' The Arts of Poetry and Tone in the Drama of the Future.' He begins by pointing out in minute detail, through the physiology of speech (the actual making of... | |
 | Arthur Symons - 1925 - 390 pages
...their highest power of self-expression.* Wagner now passes, in the third part, to a consideration of ' The Arts of Poetry and Tone in the Drama of the Future.' He begins by pointing out in minute detail, through the physiology of speech (the actual making of... | |
 | Simon Shaw-Miller, Simon Miller - 2002 - 308 pages
...Theory, 229). 18. Wagner, Art-Work of the Future, RWPW, 1:131. 19. Ibid., 372. 20. See especially part 3, “The Arts of Poetry and Tone in the Drama of the Future,” in Opera and Drama (RWPW, vol. 2). 21. Ibid., 307. 22. See “Education: The First Stage,” ld, and... | |
 | Richard Wagner - 1995 - 444 pages
...(Edipas who was born of Jocaou, and who begot with Joosga the rsdemptuia, Antigonel_R. ¿ THIRD PART. THE ARTS OF POETRY AND TONE IN THE DRAMA OF THE FUTURE. (D!CHTKUNST UND TONA”UNST IM DRAMA DER ZUKUNFT,) In Letters to Ublig¿ I'/o• 19 (December, 1850),... | |
 | Lydia Goehr - 2002 - 252 pages
...Theory, tr. R. Hullot-Kentor (Minneapolis. 1997). 66. ° ‘On Liszt's Symphonic Poems', iii. 249. ‘The Arts of Poetry and Tone in the Drama of the Future', ¿ 337. I am referring to Kant's account of genius and the negative moments (disinterest and purposiveness... | |
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The Arts of Poetry and Tone in the Drama of the Future, 