He'll watch the horologe a double set, 1 If drink rock not his cradle. Mon. It were well The general were put in mind of it. And looks not on his evils. Is not this true? Enter RODerigo. Iago. How now, Roderigo? [Aside. I pray you, after the lieutenant; go. [Exit RODERIGO. Mon. And 'tis great pity, that the noble Moor Should hazard such a place, as his own second, With one of an ingraft infirmity ; It were an honest action to say So to the Moor. Iago. Not I, for this fair island. I do love Cassio well; and would do much To cure him of this evil. But hark! what noise? [Cry within-Help! help! Re-enter CASSIO, driving in Roderigo. Cas. You rogue! you rascal! Mon. What's the matter, lieutenant ? Cas. A knave!-teach me my duty! I'll beat the knave into a twiggen3 bottle. Rod. Beat me! 1 If he have no drink, he'll keep awake while the clock strikes two rounds, or four-and-twenty hours. The word horologe is familiar to most of our ancient writers. 2 Rooted, settled. 3 i. e. a wickered bottle; and so the quarto reads. Mon. Come, come, you're drunk. [They fight. Iago. Away, I say! go out, and cry-A mutiny. [Aside to Rod., who goes out. Nay, good lieutenant, -alas, gentlemen,- Help, masters!-Here's a goodly watch, indeed! [Bell rings. Who's that that rings the bell?-Diablo, ho! Oth. Enter OTHELLO and Attendants. What is the matter here? Mon. I bleed still; I am hurt to the death; he dies.1 Oth. Hold, for your lives. Iago. Hold, hold, lieutenant, sir, Montano,-gen tlemen, Have you forgot all sense of place and duty ? shame! Oth. Why, how now, ho! from whence ariseth this? Are we turned Turks; and to ourselves do that, Which Heaven hath forbid the Ottomites ? For Christian shame, put by this barbarous brawl. He that stirs next to carve for his own rage, Holds his soul light; he dies upon his motion. Silence that dreadful bell; it frights the isle From her propriety. What is the matter, masters ? Honest lago, that look'st dead with grieving, Speak, who began this? on thy love, I charge thee. Iago. I do not know;-friends all but now, even now, In quarter, and in terms like bride and groom 1 The first quarto omits the words he dies, and has zounds! at the commencement of the line. Montano may be supposed to say he dies, i. e. he shall die. Othello, in the very next speech, says, He dies upon his motion." 2 i. e. on our station. This seems the leading signification, for the principal camp-guard of a regiment is called the quarter-guard; but a regiment in quarters has no such guard. Divesting them for bed; and then, but now, Mon. Worthy Othello, I am hurt to danger. me) Of all that I do know: nor know I aught When violence assails us. Oth. Now, by Heaven, My blood begins my safer guides to rule; 1 i. e. you have thus forgot yourself. 2 Character. 3 Care of one's self. 4 Collied is blackened, as with smut or coal; and, figuratively, means here obscured, darkened. 5 Convicted by proof. Yet wild, the people's hearts brimful of fear, Mon. If partially affined, or leagued in office, Thou dost deliver more or less than truth, Thou art no soldier. Iago. Touch me not so near. I had rather have this tongue cut from my mouth, 1 The old copies read: "In night, and on the court and guard of safety." Malone made the necessary transposition. 2 Affined is "bound by proximity of relationship;" but here it means "related by nearness of office." 3 The old copy reads: "And Cassio following him with determined sword." Oth. I know, Iago, Thy honesty and love doth mince this matter, Enter DESDEMONA, attended. Look, if my gentle love be not raised up ; I'll make thee an example. Des. What's the matter, dear? Oth. All's well now, sweeting; come away to bed. Sir, for your hurts, Myself will be your surgeon;-Lead him off.1 [ΤΟ ΜΟΝΤΑΝΟ, who is led off. Iago, look with care about the town; And silence those whom this vile brawl distracted. Come, Desdemona; 'tis the soldiers' life, To have their balmy slumbers waked with strife. [Exeunt all but IAGO and CASSIO. Iago. What, are you hurt, lieutenant ? Cas. Ay, past all surgery. Iago. Marry, Heaven forbid ! Cas. Reputation, reputation, reputation! O, I have lost my reputation! I have lost the immortal part, sir, of myself, and what remains is bestial. My reputation, Iago, my reputation. Iago. As I am an honest man, I thought you had received some bodily wound; there is more offence in that, than in reputation. Reputation is an idle and most false imposition; oft got without merit, and lost without deserving. You have lost no reputation at all, unless you repute yourself such a loser. What, man! there are ways to recover the general again. You are but now cast in his mood, a punishment more in policy than in malice; even so as one would beat his 1 Malone thinks that the words "Lead him off" were originally a marginal stage direction, as it was common to express them in imperative terms:-" Play music. Ring the bell.-Lead him off," &c. 2 Thrown off, dismissed in his anger. |