A Book of Elizabethan LyricsFelix Emmanuel Schelling Ginn, 1895 - Всего страниц: 327 |
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Стр. x
... popular poetry , an age in which the gift of lyric expression is widely diffused , must be alike removed from the simplicity and immaturity which is content to note in its literature the direct effects of the phenomena of the outside ...
... popular poetry , an age in which the gift of lyric expression is widely diffused , must be alike removed from the simplicity and immaturity which is content to note in its literature the direct effects of the phenomena of the outside ...
Стр. xi
... Liedersammlungen des XVI . Jahrhunderts , besonders aus der Zeit Heinrich's VIII , Anglia XII , 225 f . , and Chappell , Old English Popular Music , I , 42f . themselves felt in the lyric equally with other forms of INTRODUCTION . xi.
... Liedersammlungen des XVI . Jahrhunderts , besonders aus der Zeit Heinrich's VIII , Anglia XII , 225 f . , and Chappell , Old English Popular Music , I , 42f . themselves felt in the lyric equally with other forms of INTRODUCTION . xi.
Стр. xii
... popular with a limited but cultivated audience of readers . A wide diffusion of the gift of lyrical composition is always accompanied by a far wider diffusion of appreciation for lyric art . The work of these earlier miscellanies was ...
... popular with a limited but cultivated audience of readers . A wide diffusion of the gift of lyrical composition is always accompanied by a far wider diffusion of appreciation for lyric art . The work of these earlier miscellanies was ...
Стр. xiii
... popularity which seems to have been considerable , and which was based very largely upon a happy lyrical vein and a ready metrical facility . Gascoigne died two years later , and few of his poetical contemporaries long survived him , if ...
... popularity which seems to have been considerable , and which was based very largely upon a happy lyrical vein and a ready metrical facility . Gascoigne died two years later , and few of his poetical contemporaries long survived him , if ...
Стр. xv
... popular form . The pastoral mode continued in vogue to the end of Elizabeth's reign and beyond , but in the following decades it ceased to be the dominant lyrical strain . But if this decade is superficially the period of the pastoral ...
... popular form . The pastoral mode continued in vogue to the end of Elizabeth's reign and beyond , but in the following decades it ceased to be the dominant lyrical strain . But if this decade is superficially the period of the pastoral ...
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Astrophel and Stella Beaumont beauty BEN JONSON birds breast Breton bright Bullen Campion couplet Daniel Davison death delight Dirge Donne doth Drayton Drummond earth Elizabethan Elizabethan lyric England's Helicon English eyes fair fear Fleay Fletcher flowers FRANCIS BEAUMONT golden grace Gram green Grosart hath heart heaven honor Italian JOHN FLETCHER Jonson kiss lady live Love's lovers Lyrics from Elizabethan lyrists madrigal metre metrical Michael Drayton mistress Muse never NICHOLAS BRETON night passion pastoral Philip Rosseter Phyllis play pleasure poem Poetical Rhapsody poetry poets praise pretty printed quatorzain Queen rimes SAMUEL DANIEL sense Shakespeare shepherd Sidney sighs sing sleep Song Books sonnet sorrow soul Spenser spring stanza sweet content tercets thee Thomas THOMAS CAMPION THOMAS DEKKER thou art thought trochaic unto verse wanton weep whilst WILLIAM SHAKESPEARE words writing written ΙΟ
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Стр. xix - My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses...
Стр. 87 - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O, no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.
Стр. 184 - Sheds itself through the face, As alone there triumphs to the life All the gain, all the good, of the elements
Стр. 85 - gainst his glory fight, And Time that gave doth now his gift confound. Time doth transfix the flourish set on youth And delves the parallels in beauty's brow, Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow; And yet to times in hope my verse shall stand, Praising thy worth, despite his cruel hand.
Стр. 154 - Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell : Hark! now I hear them, — ding-dong, bell.
Стр. 122 - O mistress mine, where are you roaming ? O, stay and hear; your true love's coming, That can sing both high and low: Trip no further, pretty sweeting; Journeys end in lovers meeting, Every wise man's son doth know.
Стр. 151 - Still to be neat, still to be drest, As you were going to a feast ; Still to be powdered, still perfumed: Lady, it is to be presumed, Though art's hid causes are not found, All is not sweet, all is not sound. Give me a look, give me a face; That makes simplicity a grace ; Robes loosely flowing, hair as free : Such sweet neglect more taketh me, Than all the adulteries of art ; They strike mine eyes, but not my heart.
Стр. 86 - No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world, with vilest worms to dwell : Nay, if you read this line, remember not The hand that writ it ; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe.
Стр. 128 - He is dead and gone, lady, He is dead and gone, At his head a grass-green turf, At his heels a stone.
Стр. 84 - Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen...