The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 23
... actor will press differently according to his inclination and his pattern of working . The actor whose pattern it is to emphasize the logic of the character , will tend to be didactic and overweight the stress of the words . Technically ...
... actor will press differently according to his inclination and his pattern of working . The actor whose pattern it is to emphasize the logic of the character , will tend to be didactic and overweight the stress of the words . Technically ...
Стр. 42
... acting based on verbal skills and rhetoric to the exclusion often of an inner reality acting which was often unrooted , and perhaps shallow . - In this country I suppose it was Osborne who finally 42 THE ACTOR AND HIS TEXT.
... acting based on verbal skills and rhetoric to the exclusion often of an inner reality acting which was often unrooted , and perhaps shallow . - In this country I suppose it was Osborne who finally 42 THE ACTOR AND HIS TEXT.
Стр. 189
... actor uses to prepare him for his character , with a way of presenting language . - We need the language to be informed by what I call the inner landscape the way in which an actor makes the words his own and inhabits them . But we also ...
... actor uses to prepare him for his character , with a way of presenting language . - We need the language to be informed by what I call the inner landscape the way in which an actor makes the words his own and inhabits them . But we also ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing