The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 87
... become ' - this is an active word : i.e. , it does not merely serve the grammatical meaning ; something has to happen in order that you become a ' kneaded clod ' , and it lifts us into that image . ' the delighted spirit ' : this needs ...
... become ' - this is an active word : i.e. , it does not merely serve the grammatical meaning ; something has to happen in order that you become a ' kneaded clod ' , and it lifts us into that image . ' the delighted spirit ' : this needs ...
Стр. 246
... become aware of those changes If you are working on a Shakespeare play , then it is excellent to find a sonnet which corresponds to the emotional quality of your character , and use it as a touchstone to tune into the language and ...
... become aware of those changes If you are working on a Shakespeare play , then it is excellent to find a sonnet which corresponds to the emotional quality of your character , and use it as a touchstone to tune into the language and ...
Стр. 262
... become crucial . Pitch and tone : Pitch is important in that different spaces react differently . One space will like a low resonant voice and it will carry , but in another space those notes will get lost and swallowed . So you will ...
... become crucial . Pitch and tone : Pitch is important in that different spaces react differently . One space will like a low resonant voice and it will carry , but in another space those notes will get lost and swallowed . So you will ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing