The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 61
... come ' . After this point the speech is calmer and more reasoned . Certain lines are over - full : words such as ' Towards ' and ' runaways ' have to be fitted in to less than their syllabic count . Names subtly change their stress ...
... come ' . After this point the speech is calmer and more reasoned . Certain lines are over - full : words such as ' Towards ' and ' runaways ' have to be fitted in to less than their syllabic count . Names subtly change their stress ...
Стр. 151
... comes into play which is maybe to do with childhood - and it gives it a different urgency . Always be careful not to ... comes — sometimes you will not do it right , but that does not matter . The valuable thing is that you will hear ...
... comes into play which is maybe to do with childhood - and it gives it a different urgency . Always be careful not to ... comes — sometimes you will not do it right , but that does not matter . The valuable thing is that you will hear ...
Стр. 183
... comes together . It is simply this : First get familiar with the sense of the speech you are going to use ; then get into quite a close group . The aim is to speak the speech through , one person only speaking at a time , but in any ...
... comes together . It is simply this : First get familiar with the sense of the speech you are going to use ; then get into quite a close group . The aim is to speak the speech through , one person only speaking at a time , but in any ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing