The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 140
... exercise . That is why it is important you feel free to adapt , though always go through it several times as set down before you vary it . The exercises have two purposes : ( 1 ) To make sure you are aware of all the possibilities of ...
... exercise . That is why it is important you feel free to adapt , though always go through it several times as set down before you vary it . The exercises have two purposes : ( 1 ) To make sure you are aware of all the possibilities of ...
Стр. 141
... exercises to work for you . Don't hurry them . It takes time for you to feel what the exercise is about , before you can begin to notice what is happening when you are doing it . I have talked a good deal about feeling the language ...
... exercises to work for you . Don't hurry them . It takes time for you to feel what the exercise is about , before you can begin to notice what is happening when you are doing it . I have talked a good deal about feeling the language ...
Стр. 142
... exercises will help acting groups as much as the actor working on his own . I will lay out the exercises in each section for the most part like this : Purpose of the exercise . Group work . Solo work . If you are working by yourself I ...
... exercises will help acting groups as much as the actor working on his own . I will lay out the exercises in each section for the most part like this : Purpose of the exercise . Group work . Solo work . If you are working by yourself I ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing