The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 34
... ideas are there before they are expressed , so the dialogue seems often to do with a discussion of ideas and motives rather than a discovery of them ; it feels calculated . I am not quite sure about this , but it seems as if we have to ...
... ideas are there before they are expressed , so the dialogue seems often to do with a discussion of ideas and motives rather than a discovery of them ; it feels calculated . I am not quite sure about this , but it seems as if we have to ...
Стр. 118
... idea that ' to know the cause of things was to know their nature ' . The idea of causation encompassed both potentiality and the deed itself . In other words , the closer we investigate the cause of things , the better we will know how ...
... idea that ' to know the cause of things was to know their nature ' . The idea of causation encompassed both potentiality and the deed itself . In other words , the closer we investigate the cause of things , the better we will know how ...
Стр. 276
... idea in the mind that it takes longer to breathe deeply . This in fact is not true , but we have to get used to the idea . Once you feel that it is the easier way and that it gives you the freedom and strength you want , you will use it ...
... idea in the mind that it takes longer to breathe deeply . This in fact is not true , but we have to get used to the idea . Once you feel that it is the easier way and that it gives you the freedom and strength you want , you will use it ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing