The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 33
... speech and speech patterns , and so has class overtones , and this is therefore alienating to anyone who has regional differences of speech , or whose background is working - class . It can feel a serious betrayal of one's background to ...
... speech and speech patterns , and so has class overtones , and this is therefore alienating to anyone who has regional differences of speech , or whose background is working - class . It can feel a serious betrayal of one's background to ...
Стр. 175
... speeches . The balances here are very different - Bolingbroke's speech is full of action , not particularly poetic . Richard's speech is highly formal , using specific forms of rhetoric ; and the Gardener is just wonderfully alive , the ...
... speeches . The balances here are very different - Bolingbroke's speech is full of action , not particularly poetic . Richard's speech is highly formal , using specific forms of rhetoric ; and the Gardener is just wonderfully alive , the ...
Стр. 185
... speech . Put say three chairs in different parts of the room . This time there is no definite plan as to where you should move within a speech , but simply move to a different chair when a new mood takes over the speech , a new strand ...
... speech . Put say three chairs in different parts of the room . This time there is no definite plan as to where you should move within a speech , but simply move to a different chair when a new mood takes over the speech , a new strand ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing