English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 41
... Plautus have in one place done amiss , let us hit with him , and not miss with him . But they will say , How then shall we set forth a story 1485 which containeth both many places and many times ? And do they not know that a tragedy is ...
... Plautus have in one place done amiss , let us hit with him , and not miss with him . But they will say , How then shall we set forth a story 1485 which containeth both many places and many times ? And do they not know that a tragedy is ...
Стр. 66
... Plautus , Terence , never any of them writ a tragedy ; Aeschylus , Euri- pides , Sophocles , and Seneca , never meddled with comedy : the sock and buskin were not worn by the same poet . Having 650 then so much care to excel in one kind ...
... Plautus , Terence , never any of them writ a tragedy ; Aeschylus , Euri- pides , Sophocles , and Seneca , never meddled with comedy : the sock and buskin were not worn by the same poet . Having 650 then so much care to excel in one kind ...
Стр. 152
... Plautus ; from the only play of Plautus which was then in English . What can be more probable , than that he who copied 815 that , would have copied more ; but that those which were not translated were inaccessible ? Whether he knew the ...
... Plautus ; from the only play of Plautus which was then in English . What can be more probable , than that he who copied 815 that , would have copied more ; but that those which were not translated were inaccessible ? Whether he knew the ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write