English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 59
... Action , the ancients 365 meant no other by it than what the logicians do by their finis , the end or scope of any action ; that which is the first in inten- tion , and last in execution : now the poet is to aim at one great and complete ...
... Action , the ancients 365 meant no other by it than what the logicians do by their finis , the end or scope of any action ; that which is the first in inten- tion , and last in execution : now the poet is to aim at one great and complete ...
Стр. 77
... action on the stage ; 1050 every alteration or crossing of a design , every new - sprung passion , and turn of it , is a part of the action , and much the noblest , except we conceive nothing to be action till the players come to blows ...
... action on the stage ; 1050 every alteration or crossing of a design , every new - sprung passion , and turn of it , is a part of the action , and much the noblest , except we conceive nothing to be action till the players come to blows ...
Стр. 145
... action , and an action must be in some place ; but the different actions that complete a story may be in places very remote from each other ; and 560 where is the absurdity of allowing that space to represent first Athens , and then ...
... action , and an action must be in some place ; but the different actions that complete a story may be in places very remote from each other ; and 560 where is the absurdity of allowing that space to represent first Athens , and then ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write