English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 117
... appear already past , And the first clouds and mountains seem the last ; But , those attain'd , we tremble to survey The growing labours of the lengthen'd way , Th ' increasing prospect tires our wand'ring eyes , Hills peep o'er hills ...
... appear already past , And the first clouds and mountains seem the last ; But , those attain'd , we tremble to survey The growing labours of the lengthen'd way , Th ' increasing prospect tires our wand'ring eyes , Hills peep o'er hills ...
Стр. 260
... appear incomplete ; and most of what now passes with us for religion and philosophy will be replaced by poetry . Science , I say , will appear incomplete without it . For finely and truly 30 does Wordsworth call poetry ' the impassioned ...
... appear incomplete ; and most of what now passes with us for religion and philosophy will be replaced by poetry . Science , I say , will appear incomplete without it . For finely and truly 30 does Wordsworth call poetry ' the impassioned ...
Стр. 293
... appear except in a phrase of censure . If otherwise , it is vaguely approbative , with the implication , as to the work approved , of some pleasing archaeological reconstruction . You can hardly make the word agreeable to English ears ...
... appear except in a phrase of censure . If otherwise , it is vaguely approbative , with the implication , as to the work approved , of some pleasing archaeological reconstruction . You can hardly make the word agreeable to English ears ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write